Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 31
Síða 80
... viewer's imaginary , and which we shall call the Absent One " ( 36 ) . This imaginary One allows viewers to believe that someone - only human ( like us , with whom we might identify ) —is doing the gazing , not a technological ...
... viewer's imaginary , and which we shall call the Absent One " ( 36 ) . This imaginary One allows viewers to believe that someone - only human ( like us , with whom we might identify ) —is doing the gazing , not a technological ...
Síða 53
... viewer are akin to those she might see when intimately involved with another body . We are thus encouraged to see those images through our sense of touch - our bodily knowledge of what the contact with another skin feels like . This ...
... viewer are akin to those she might see when intimately involved with another body . We are thus encouraged to see those images through our sense of touch - our bodily knowledge of what the contact with another skin feels like . This ...
Síða 83
... viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the apparatus with the erasure of the female body ...
... viewer through space , Export's piece marks her own body's movement in time , making it an analog to film movement . In so doing , Adjoined Dislocations aligns the usual invisibility of the apparatus with the erasure of the female body ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York