Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 33
Síða 104
... Turn of the Screw opens on Christmas Eve with a story that holds its audience breathless . There is a pause and finally someone says that it " was the only case he had met , in which such a visitation had fallen on a child . " The ...
... Turn of the Screw opens on Christmas Eve with a story that holds its audience breathless . There is a pause and finally someone says that it " was the only case he had met , in which such a visitation had fallen on a child . " The ...
Síða 110
... turn into an exchange if we recognize " Communism " to be a production of McCarthyism . Such equivalence is built into the construction of the fantasy — the film has to use the same actors for Americans and aliens : " we " and " they ...
... turn into an exchange if we recognize " Communism " to be a production of McCarthyism . Such equivalence is built into the construction of the fantasy — the film has to use the same actors for Americans and aliens : " we " and " they ...
Síða 13
... turn toward the world of the Other is not just a specular , but more specifically , a photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic ...
... turn toward the world of the Other is not just a specular , but more specifically , a photographic body . Not only are the black and white bodily parts more hyperbolically visual than the colored , they are more profoundly photographic ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York