Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 76
... truth and objectivity by marking his / her own definitive separation from the " mere " materiality of the object . Subjectivity , in the age of the world picture , is an act of abjection , whereby the subject reaffirms his / her mastery ...
... truth and objectivity by marking his / her own definitive separation from the " mere " materiality of the object . Subjectivity , in the age of the world picture , is an act of abjection , whereby the subject reaffirms his / her mastery ...
Síða 57
... truth scenarios are not to be - that it is not possible to unambiguously establish the truth of either the immigrant or the nation as parasites . I would like to propose that this last scenario is precisely the case . Given that the two ...
... truth scenarios are not to be - that it is not possible to unambiguously establish the truth of either the immigrant or the nation as parasites . I would like to propose that this last scenario is precisely the case . Given that the two ...
Síða 60
... truth is tropes , tropes is truth ) . As such , this figure has often been considered rather trivial , that is , somewhat contrived and artificial , nothing more than an ornament used to sustain the readers attention . But the chiasmus ...
... truth is tropes , tropes is truth ) . As such , this figure has often been considered rather trivial , that is , somewhat contrived and artificial , nothing more than an ornament used to sustain the readers attention . But the chiasmus ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York