Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 10
... true target is idolatry.3 Aware of this connection , Akerman raised the issue of idolatry in film in an interview about Bordering on Fiction , explaining herself with reference to Jewish thinker Emanuel Levinas ( 1906– 1997 ) , the ...
... true target is idolatry.3 Aware of this connection , Akerman raised the issue of idolatry in film in an interview about Bordering on Fiction , explaining herself with reference to Jewish thinker Emanuel Levinas ( 1906– 1997 ) , the ...
Síða 83
... true success is ever offered to the racial outsider , the class - bounder , the unknown element of the new . Vincent has invited Clay into his world ( a kind of affirming action ) and then sought to scapegoat , kill , and now remove him ...
... true success is ever offered to the racial outsider , the class - bounder , the unknown element of the new . Vincent has invited Clay into his world ( a kind of affirming action ) and then sought to scapegoat , kill , and now remove him ...
Síða 92
... true . My films are not montage films . Up until now , in world cinema , montage has been considered a regrouping of images placed alongside one another . The relation between nearby images always attracts the most attention . The ...
... true . My films are not montage films . Up until now , in world cinema , montage has been considered a regrouping of images placed alongside one another . The relation between nearby images always attracts the most attention . The ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York