Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 13
Síða 28
... trauma would in this case have less to do with rewriting the traumatic event or replaying it in the role of active participant , than with repeatedly viewing the same images from a spectator's position until they become drained of their ...
... trauma would in this case have less to do with rewriting the traumatic event or replaying it in the role of active participant , than with repeatedly viewing the same images from a spectator's position until they become drained of their ...
Síða 29
... traumatic event in the role of active director rather than passive respondent , and thus both to temper the strength of the traumatic impression itself and to take revenge ... trauma . It is in the register of the image Spring 2000 29.
... traumatic event in the role of active director rather than passive respondent , and thus both to temper the strength of the traumatic impression itself and to take revenge ... trauma . It is in the register of the image Spring 2000 29.
Síða 91
... trauma of violent displacement directs our atten- tion to an unknown presence , a transnational x - factor in Black expression in the Americas . This textual unknown would exceed what José Piedra calls the limits of intelligibility of ...
... trauma of violent displacement directs our atten- tion to an unknown presence , a transnational x - factor in Black expression in the Americas . This textual unknown would exceed what José Piedra calls the limits of intelligibility of ...
Efni
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
12 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York