Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
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Síða 17
... took up the idea that the Second Commandment forbade Jews to make art . The resulting discourse fed directly into artistic discourses , then dominated by the newly founded discipline of art history . The post enlightenment thinkers who ...
... took up the idea that the Second Commandment forbade Jews to make art . The resulting discourse fed directly into artistic discourses , then dominated by the newly founded discipline of art history . The post enlightenment thinkers who ...
Síða 129
... took place in front of audiences , and cameras . " Pollock , Cage , Fontana , and Shimamoto shared a common desire to disrupt or pierce the pictorial surface , to question the authority of the picture plane , and to introduce chance ...
... took place in front of audiences , and cameras . " Pollock , Cage , Fontana , and Shimamoto shared a common desire to disrupt or pierce the pictorial surface , to question the authority of the picture plane , and to introduce chance ...
Síða 89
... took to ' citizenship ' is what I want to look at " ( Jones ix ) . In the introduction to his classic study of black music , LeRoi Jones posits a dichotomy between the past - slavery and its expressive forms ( i.e. the spirituals and ...
... took to ' citizenship ' is what I want to look at " ( Jones ix ) . In the introduction to his classic study of black music , LeRoi Jones posits a dichotomy between the past - slavery and its expressive forms ( i.e. the spirituals and ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York