Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 105
... technological incandescence " ( 46 ) . Another difference between classic and contemporary horror cycles ( which films of the 1950s do share ) is a difference in effect : in the history of special effects , of spectacle . Both of the ...
... technological incandescence " ( 46 ) . Another difference between classic and contemporary horror cycles ( which films of the 1950s do share ) is a difference in effect : in the history of special effects , of spectacle . Both of the ...
Síða 56
... technological mediation in and of itself does not necessarily amount to alienation , the un- bridgeable gap in the way Judith and Joseph feel as a couple infuses their technological encounter with a sense of irreparable distance . Taken ...
... technological mediation in and of itself does not necessarily amount to alienation , the un- bridgeable gap in the way Judith and Joseph feel as a couple infuses their technological encounter with a sense of irreparable distance . Taken ...
Síða 66
... technological discourse in The Practice of Love only inasmuch as it relates to the film's own use of cinematic technology / technique ; I include a lengthy discussion of the film's diegetic elaborations on the nexus between technology ...
... technological discourse in The Practice of Love only inasmuch as it relates to the film's own use of cinematic technology / technique ; I include a lengthy discussion of the film's diegetic elaborations on the nexus between technology ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York