Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 83
... talking about two distinct lives . Clay : And one is gone . There's a dead body that can't be identified and in the most real way it's not the body of Vincent Towers . I am Vincent Towers . Max : Clay , you're burying the wrong life ...
... talking about two distinct lives . Clay : And one is gone . There's a dead body that can't be identified and in the most real way it's not the body of Vincent Towers . I am Vincent Towers . Max : Clay , you're burying the wrong life ...
Síða 32
... talking to her boyfriend on the telephone , relaying her concerns about the Hyksos : " They slip into people's bodies . . . I clearly feel evidence of their invasion . " It is clear from Anna's expression that her auditor does not treat ...
... talking to her boyfriend on the telephone , relaying her concerns about the Hyksos : " They slip into people's bodies . . . I clearly feel evidence of their invasion . " It is clear from Anna's expression that her auditor does not treat ...
Síða 75
... talking cure " : when the subject is able to articulate a clear , exteriorized picture of the problem ( in this case , when Gonçalo is able to fashion a critical outlook upon his family / national heritage ) , a self - activating reason ...
... talking cure " : when the subject is able to articulate a clear , exteriorized picture of the problem ( in this case , when Gonçalo is able to fashion a critical outlook upon his family / national heritage ) , a self - activating reason ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York