Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 81
Síða 39
... suggest that Brawley's fear , and the kinds of suffering that she must have gone through must have been truly staggering if they were enough to force her to resort to cut her hair , cover herself in feces , and crawl into a garbage bag ...
... suggest that Brawley's fear , and the kinds of suffering that she must have gone through must have been truly staggering if they were enough to force her to resort to cut her hair , cover herself in feces , and crawl into a garbage bag ...
Síða 46
... suggest that this historical lens did not obscure contemporary reality , but instead provided different ways to see and things to focus on . Brawley's advisors attempted to invoke an African - American common sense in which , as Stuart ...
... suggest that this historical lens did not obscure contemporary reality , but instead provided different ways to see and things to focus on . Brawley's advisors attempted to invoke an African - American common sense in which , as Stuart ...
Síða 27
... suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The ... suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic camera ...
... suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The ... suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic camera ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York