Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 48
... spectacle . One result is that , because one of the only highly visible instances of black female victimization has been widely discredited as a hoax , similar claims are likely to be regarded with even greater skepticism in the future ...
... spectacle . One result is that , because one of the only highly visible instances of black female victimization has been widely discredited as a hoax , similar claims are likely to be regarded with even greater skepticism in the future ...
Síða 105
... spectacle . Both of the later films initiate a move to the postmodern city as the place where technique is continuously on display . It is almost as if the second versions were made to index and display new potentials of the industry ...
... spectacle . Both of the later films initiate a move to the postmodern city as the place where technique is continuously on display . It is almost as if the second versions were made to index and display new potentials of the industry ...
Síða 27
... spectacle . But Export's inversion is also accompanied by an even more radical suggestion : that a degree of agency or activity could be said to inhere in images themselves . Invisible Adversaries suggests that we tend to overestimate ...
... spectacle . But Export's inversion is also accompanied by an even more radical suggestion : that a degree of agency or activity could be said to inhere in images themselves . Invisible Adversaries suggests that we tend to overestimate ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York