From inside the book
Niðurstöður 1 - 3 af 48
Síða 119
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
( 80–81 ) Sommer here situates her reading public , her critical imaginary , as the Anglo - American English - speaking academician who believe that a work can be unproblematically situated in a comparative literature context , where ...
Síða 8
Speak , Body Kaja Silverman Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against the ...
Speak , Body Kaja Silverman Valie Export's 16mm film , Syntagma ( 1983 ) begins with a shot of two female hands forcing a space open between two strips of celluloid . The feminine real seems to be asserting itself over and against the ...
Síða 25
What practical strategies could be implemented to ensure that border thinking really works from North to South , so to speak , and not always the other way round ? Mignolo : Can you imagine bilingual situations in English ?
What practical strategies could be implemented to ensure that border thinking really works from North to South , so to speak , and not always the other way round ? Mignolo : Can you imagine bilingual situations in English ?
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
10 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York