Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
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Síða 18
... signifying once again the sensational body , that body which is the center of its world . Three times , we see both bodies , lying side by side . Although the woman shrouded in black appears before the one with the blond hair , seeming ...
... signifying once again the sensational body , that body which is the center of its world . Three times , we see both bodies , lying side by side . Although the woman shrouded in black appears before the one with the blond hair , seeming ...
Síða 22
... signifying materials are very different , touch is no less representationally mediated than the image . There is no such thing as a direct tactile experi- ence . Touch is as encoded - and thus subject to interpretation and enculturation ...
... signifying materials are very different , touch is no less representationally mediated than the image . There is no such thing as a direct tactile experi- ence . Touch is as encoded - and thus subject to interpretation and enculturation ...
Síða 23
... signifying power of the body , not about the embodi- ment of the signifier ” ( Mueller 193 ) . 4 For an elaboration of this point , see my Male Subjectivity 125–156 , and The Threshold of the Visible World . 5 See my Threshold of the ...
... signifying power of the body , not about the embodi- ment of the signifier ” ( Mueller 193 ) . 4 For an elaboration of this point , see my Male Subjectivity 125–156 , and The Threshold of the Visible World . 5 See my Threshold of the ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York