Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 43
Síða 87
... scene of practiced violence . Skeet shooting has prepared Vincent to kill , so as to " protect what is mine against people who might feed off my privilege , feed off what doesn't belong to them , " as he warns Clay in the opening scene ...
... scene of practiced violence . Skeet shooting has prepared Vincent to kill , so as to " protect what is mine against people who might feed off my privilege , feed off what doesn't belong to them , " as he warns Clay in the opening scene ...
Síða 57
... scene that features Alfons and Judith as they each arrive at the hotel room and meet each other . The scene I want to discuss now would logically take place right after that drawn - out prologue , although the film shows the two moments ...
... scene that features Alfons and Judith as they each arrive at the hotel room and meet each other . The scene I want to discuss now would logically take place right after that drawn - out prologue , although the film shows the two moments ...
Síða 59
... scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately walk ...
... scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment of the film shows Alfons and Judith as they each separately walk ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York