Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 38
... response is simply to observe the image , perhaps contemplating whether she herself has been occupied by a Hyksos ... responses , complete with the experience of dejection when it fails to live up to the contradictory expectations and ...
... response is simply to observe the image , perhaps contemplating whether she herself has been occupied by a Hyksos ... responses , complete with the experience of dejection when it fails to live up to the contradictory expectations and ...
Síða 95
... response pattern of interchanges between lead vocals and chorus in the son : the refrains “ tiene de to ” ( “ has everything ” ) , in the second and fourth stanzas , and “ Negro Bembón ” ( “ thick - lipped colored boy " ) in the third ...
... response pattern of interchanges between lead vocals and chorus in the son : the refrains “ tiene de to ” ( “ has everything ” ) , in the second and fourth stanzas , and “ Negro Bembón ” ( “ thick - lipped colored boy " ) in the third ...
Síða 97
... response to white exclusion . Guillén's position is that both blacks and whites have the duty to create and participate in a common Cuban society . Mutual exclusion takes Cubans on the “ road to Harlem " : " Ése será el día en que cada ...
... response to white exclusion . Guillén's position is that both blacks and whites have the duty to create and participate in a common Cuban society . Mutual exclusion takes Cubans on the “ road to Harlem " : " Ése será el día en que cada ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York