Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 48
Síða 10
... relations with God : the unknowable " Other " must not be subsumed into the " same . " Whether one loses oneself in the Other , or dominates the Other so that s / he becomes part of oneself , the outcome is the " same " : sameness ...
... relations with God : the unknowable " Other " must not be subsumed into the " same . " Whether one loses oneself in the Other , or dominates the Other so that s / he becomes part of oneself , the outcome is the " same " : sameness ...
Síða 27
... relations , regardless of whether the woman is situated behind or in front of the camera . Sigmund Freud's Beyond the Pleasure Principle provides an ac- count of the relationship between vision and mastery which is surprisingly similar ...
... relations , regardless of whether the woman is situated behind or in front of the camera . Sigmund Freud's Beyond the Pleasure Principle provides an ac- count of the relationship between vision and mastery which is surprisingly similar ...
Síða 66
... relations between modes of perception and political structures at any given historical juncture . The cultural and politi- cal narrative paradigms of Western civilization , he argues , have recognized and exploited to great advantage ...
... relations between modes of perception and political structures at any given historical juncture . The cultural and politi- cal narrative paradigms of Western civilization , he argues , have recognized and exploited to great advantage ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York