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Síða 10
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other ... against suture grounded in relations with God : the unknowable " Other " must not be subsumed into the " same .
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other ... against suture grounded in relations with God : the unknowable " Other " must not be subsumed into the " same .
Síða 27
rethink our typical response to the question of agency in relation to the visual realm , and suggests that the kind of mastery ... The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has ...
rethink our typical response to the question of agency in relation to the visual realm , and suggests that the kind of mastery ... The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has ...
Síða 59
The film is , in effect , a clear exponent of Export's own manifesto for “ ex- panded cinema , " in that it seeks to subvert the cinematic medium's unquestioned one - to - one relation with the real . One scene in The Practice of Love ...
The film is , in effect , a clear exponent of Export's own manifesto for “ ex- panded cinema , " in that it seeks to subvert the cinematic medium's unquestioned one - to - one relation with the real . One scene in The Practice of Love ...
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