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Síða 10
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator ...
One tries to make images that are not idolatrous but in a relation of face to face with the spectator , where the Other is . The spectator ought to be a true Other , the cinema should not be a machine to embrace and absorb the spectator ...
Síða 24
Like the Second Commandment , Kol Nidre came to mark the Jew's relation no longer to the Jewish God , but to the Gentile world in which the Jew finds himself isolated and embattled . Like the Kol Nidre , the Second Commandment began ...
Like the Second Commandment , Kol Nidre came to mark the Jew's relation no longer to the Jewish God , but to the Gentile world in which the Jew finds himself isolated and embattled . Like the Kol Nidre , the Second Commandment began ...
Síða 16
Not only does it predicate a sensational as well as a visual body , but it also stresses the disjunctive relation between them . And it , too , indicates that this disjunction in no way implies the absence of a libidinal relation .
Not only does it predicate a sensational as well as a visual body , but it also stresses the disjunctive relation between them . And it , too , indicates that this disjunction in no way implies the absence of a libidinal relation .
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