Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 77
... recovery of Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural ...
... recovery of Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural ...
Síða 83
... recover this memory , Clay " won't go back . " Insisting that his traumatic treatment by the police ( who have continued to pursue him as a murderer ) entitles him to the identity of Vincent Towers , Clay articulates a notion of ...
... recover this memory , Clay " won't go back . " Insisting that his traumatic treatment by the police ( who have continued to pursue him as a murderer ) entitles him to the identity of Vincent Towers , Clay articulates a notion of ...
Síða 27
... recover a degree of control in a world which situates women on the side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ...
... recover a degree of control in a world which situates women on the side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York