Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 63
... quotation marks of television , to explain that one image was from a family album or an- other from an event seven years ago . The audience could be relied upon for its knowledge of what the progression of various images signified , for ...
... quotation marks of television , to explain that one image was from a family album or an- other from an event seven years ago . The audience could be relied upon for its knowledge of what the progression of various images signified , for ...
Síða 66
... quotation marks when speaking of " Louganis's AIDS " in order to throw the notion of possession and AIDS into question . On the changes that AIDS has brought to notions of the body and public space , see Jacques Derrida's " The Rhetoric ...
... quotation marks when speaking of " Louganis's AIDS " in order to throw the notion of possession and AIDS into question . On the changes that AIDS has brought to notions of the body and public space , see Jacques Derrida's " The Rhetoric ...
Síða 90
... quotation marks ) . With Paul Gilroy's Black Atlantic , we have a working hypothesis that allows us to reconceptualize the unresolved dynamic between black homelessness and homecoming in the Americas in a new , and I would argue , more ...
... quotation marks ) . With Paul Gilroy's Black Atlantic , we have a working hypothesis that allows us to reconceptualize the unresolved dynamic between black homelessness and homecoming in the Americas in a new , and I would argue , more ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York