Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 121
... pure desire . Discursively , this critical voice operates as a projection towards the homeland , in order to write back from there , even while being physically located in the very site of power and hegemony . This trajectory home and ...
... pure desire . Discursively , this critical voice operates as a projection towards the homeland , in order to write back from there , even while being physically located in the very site of power and hegemony . This trajectory home and ...
Síða 108
... pure cinema . ( Goldner 9 ) 4 . King Kong is a film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in ...
... pure cinema . ( Goldner 9 ) 4 . King Kong is a film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in ...
Síða 3
... pure , separate identities , Empire thrives on circuits of movement and mixture . The colonial apparatus was a kind of mold that forged fixed , dis- tinct castings , but the imperial society of control functions through modulation ...
... pure , separate identities , Empire thrives on circuits of movement and mixture . The colonial apparatus was a kind of mold that forged fixed , dis- tinct castings , but the imperial society of control functions through modulation ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York