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Síða 40
In Kovel's view , the notion that blacks are " an essentially dirty and smelly people " is the generative substrate of the racial fantasies that provide the psychosymbolic frame- work of white racism . . . . What bears remarking here is ...
In Kovel's view , the notion that blacks are " an essentially dirty and smelly people " is the generative substrate of the racial fantasies that provide the psychosymbolic frame- work of white racism . . . . What bears remarking here is ...
Síða 43
The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film : although the scenes at the movie theater , and even the shots of Anna getting prepared once more for a difficult night ...
The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film : although the scenes at the movie theater , and even the shots of Anna getting prepared once more for a difficult night ...
Síða 68
10 The analysis of this scene provides an interesting contrast to Chris- tian Metz's theory of the cinematic apparatus . The evasive / elusive forms Judith and Alfons's images take through their continually altering posi- tions and ...
10 The analysis of this scene provides an interesting contrast to Chris- tian Metz's theory of the cinematic apparatus . The evasive / elusive forms Judith and Alfons's images take through their continually altering posi- tions and ...
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Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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