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Síða 101
Cazals and Daniélou : What are the conditions of production of your films , and what projects have you been working on since your last production , Notre siècle ( Our Century ) , 1982 ? Pelechian : My work sometimes entails delays and ...
Cazals and Daniélou : What are the conditions of production of your films , and what projects have you been working on since your last production , Notre siècle ( Our Century ) , 1982 ? Pelechian : My work sometimes entails delays and ...
Síða 107
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
Síða 112
These are images as only the cinema , from its darkness , can produce , whose black and white immateriality contains a certain corporal vagueness through which foreboding memories / reminiscence can take shape .
These are images as only the cinema , from its darkness , can produce , whose black and white immateriality contains a certain corporal vagueness through which foreboding memories / reminiscence can take shape .
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