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Síða 107
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
It is strange that a film that was so expensive in its production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself .
Síða 112
... first half of the twentieth century , including Hollywood despite its " Fordist principles " of mass production and division of labor , benefited from the tradition of production as craft that remained from the nineteenth century .
... first half of the twentieth century , including Hollywood despite its " Fordist principles " of mass production and division of labor , benefited from the tradition of production as craft that remained from the nineteenth century .
Síða 30
If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino / as experience and intellectual production in the U.S. , I connected this with North Africa , Sub - Saharan Africa ...
If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino / as experience and intellectual production in the U.S. , I connected this with North Africa , Sub - Saharan Africa ...
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Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Framlag frá | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefandi | Indiana University Press, 2000 |
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