Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 81
... precisely because one can never know in advance where that threat will come from . Export can see the participant in Touch Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected ...
... precisely because one can never know in advance where that threat will come from . Export can see the participant in Touch Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected ...
Síða 13
... precisely one of the strong arguments made by Edouard Glissant that I try to take advantage of in Local Histories / Global Designs . Thus , rather than " the teaching of literature " I would tend to think — and actually I practice it in ...
... precisely one of the strong arguments made by Edouard Glissant that I try to take advantage of in Local Histories / Global Designs . Thus , rather than " the teaching of literature " I would tend to think — and actually I practice it in ...
Síða 30
... precisely to " connect " critical discourses of Eurocentrism and globalization from different parts of the world . If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino ...
... precisely to " connect " critical discourses of Eurocentrism and globalization from different parts of the world . If my point of reference and theoretical anchor is a certain Latin American tradition of critical thought and the Latino ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York