Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 17
Síða 96
... vision in which each fragment contains the whole . Niney : Do you see a link between your cinema and modern physics ... point of view of the almost exclusively distractive evolution of the cinema . Pelechian : When I said that music had ...
... vision in which each fragment contains the whole . Niney : Do you see a link between your cinema and modern physics ... point of view of the almost exclusively distractive evolution of the cinema . Pelechian : When I said that music had ...
Síða 59
... point of view walking up stairs and along corridors - is largely responsible for the kind of spatial and narrative ... point in its trajectory has the camera abandoned Alfons's perspective to assume Judith's . Yet , our quest for logic ...
... point of view walking up stairs and along corridors - is largely responsible for the kind of spatial and narrative ... point in its trajectory has the camera abandoned Alfons's perspective to assume Judith's . Yet , our quest for logic ...
Síða 60
... point of view . As Alfons answers the phone , his reinscription in the scene at a moment when we have been led to identify with Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and ...
... point of view . As Alfons answers the phone , his reinscription in the scene at a moment when we have been led to identify with Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York