Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 25
... opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit ...
... opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit ...
Síða 26
... opening sequence rather induces a kind of terror of its own , which is of a quite different variety than the terror of Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and ...
... opening sequence rather induces a kind of terror of its own , which is of a quite different variety than the terror of Hitchcock's stalking camera . Whereas Psycho imagines the eye as a sharp , precise instrument which probes into and ...
Síða 82
... opening up narratively a space for review of the grand history that had been set up as the centerpiece of the " official " hermeneutics . In effect , the narrator / implied author continually whispers to the reader something like ...
... opening up narratively a space for review of the grand history that had been set up as the centerpiece of the " official " hermeneutics . In effect , the narrator / implied author continually whispers to the reader something like ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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