Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 61
... never been separated from accounts of his accomplishments or , later , from the story of " his " AIDS , leading to implicit connections made between the difficulties of his early life , his homosexuality , and “ his ” AIDS ...
... never been separated from accounts of his accomplishments or , later , from the story of " his " AIDS , leading to implicit connections made between the difficulties of his early life , his homosexuality , and “ his ” AIDS ...
Síða 74
... never expected to . . . . I never expected to be .... " He never clarifies the gap , but one possibility is that Clay can recognize the innumerable ways in which he is not visually similar to Vincent . He could “ never have expected ...
... never expected to . . . . I never expected to be .... " He never clarifies the gap , but one possibility is that Clay can recognize the innumerable ways in which he is not visually similar to Vincent . He could “ never have expected ...
Síða 107
... never made it into anything but half - nameless , quickly and cheaply produced films that were never shown in the movie palaces and were never meant to be . Furthermore , they were the B movies and serials of the small independent ...
... never made it into anything but half - nameless , quickly and cheaply produced films that were never shown in the movie palaces and were never meant to be . Furthermore , they were the B movies and serials of the small independent ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York