Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 73
... medium itself , their film can be read both as a commentary on media culture and as a critical warning about the U.S.'s current approaches to race and multiculturalism . * At first glance , viewers will most likely interpret “ suture ...
... medium itself , their film can be read both as a commentary on media culture and as a critical warning about the U.S.'s current approaches to race and multiculturalism . * At first glance , viewers will most likely interpret “ suture ...
Síða 79
... medium , and primary perspective , located in Max , the analyst , whose comments frame the film . McGe- hee and Siegel also employ black and white film and a wide screen format to achieve unreal space and a kind of “ formalism , " which ...
... medium , and primary perspective , located in Max , the analyst , whose comments frame the film . McGe- hee and Siegel also employ black and white film and a wide screen format to achieve unreal space and a kind of “ formalism , " which ...
Síða 59
... medium's unquestioned one - to - one relation with the real . One scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment ...
... medium's unquestioned one - to - one relation with the real . One scene in The Practice of Love is particularly evocative of such desire to explode classical , limited concepts of time , space , subjectivity , and reality . This segment ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York