From inside the book
Niðurstöður 1 - 3 af 45
Síða 97
Niney : That means privileging a documentary approach , even if it means making people play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the ...
Niney : That means privileging a documentary approach , even if it means making people play themselves ( leur propre rôle ) ? Pelechian : Yes . There is no need to make them play anything else . The important thing is to create the ...
Síða 98
Our bodies are linked to this duration , but our thought , our faculty of representation and the cinema have means of escaping it . Niney : How do you explain the fact that it has taken so long for your films to be discovered ?
Our bodies are linked to this duration , but our thought , our faculty of representation and the cinema have means of escaping it . Niney : How do you explain the fact that it has taken so long for your films to be discovered ?
Síða 30
It is important to note that such a deflection offers a relatively harmless means of channeling such aggressive impulses : in the example of Fort - Da , the child's staging of disappear- ances in the visual field on a substitute object ...
It is important to note that such a deflection offers a relatively harmless means of channeling such aggressive impulses : in the example of Fort - Da , the child's staging of disappear- ances in the visual field on a substitute object ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
10 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York