Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 19
... matter , because they are forbidden to make art . Scholars of Jewish art , as opposed to generalists , continued in Kaufmann's footsteps . Modern scholarship has tended to support Kaufmann's assertion that iconoclasm was a local ...
... matter , because they are forbidden to make art . Scholars of Jewish art , as opposed to generalists , continued in Kaufmann's footsteps . Modern scholarship has tended to support Kaufmann's assertion that iconoclasm was a local ...
Síða 97
... matter of recreating stage by stage - writing , shooting , montage - the film that I've already seen in my head . And there are very few things that can change , some details , but the composition doesn't change . Now , I've already ...
... matter of recreating stage by stage - writing , shooting , montage - the film that I've already seen in my head . And there are very few things that can change , some details , but the composition doesn't change . Now , I've already ...
Síða 31
... matter itself is transforming into more dismal images before her very eyes . It is no wonder that Anna senses that a destructive quality has invaded her life and work , and to fear the aggressive take - over by alien forces announced on ...
... matter itself is transforming into more dismal images before her very eyes . It is no wonder that Anna senses that a destructive quality has invaded her life and work , and to fear the aggressive take - over by alien forces announced on ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York