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Síða 76
In the film , Freudian reconstruction of memory is offered as one model of identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel pro- ceed to tease their viewing audience ...
In the film , Freudian reconstruction of memory is offered as one model of identity determination , and physiognomy's visually - based characterology is presented as another . McGehee and Siegel pro- ceed to tease their viewing audience ...
Síða 85
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ su- ture , " a very different model of ...
Or is Max's notion of identity operating under a critical erasure ? Max adheres to a notion of memory chains anchored in Clay's body , at this point . Per the film's Lacanian reference to “ su- ture , " a very different model of ...
Síða 107
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
The one - to - two relationship works the other way as well : the theme of Invasion of the Body Snatchers is identity ; the theme of The Fly is otherness . While in the first , horror is the ambiguity of identity ...
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Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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