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Síða 100
I help myself to it , but what's essential is the idea , my initial idea . In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the cinema has been able to get through ...
I help myself to it , but what's essential is the idea , my initial idea . In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the cinema has been able to get through ...
Síða 40
... it possible to invest the old idea of a “ double ” with a new meaning and to ascribe a number of things to it — above all , those things which seem to self - criticism to belong to the old surmounted narcissism of earliest times .
... it possible to invest the old idea of a “ double ” with a new meaning and to ascribe a number of things to it — above all , those things which seem to self - criticism to belong to the old surmounted narcissism of earliest times .
Síða 108
It is formulated three times by Denham , the producer / director in the film : the first time as the idea of the film he plans , the second time at the presentation of King Kong in New York , and the last time in his closing statement ...
It is formulated three times by Denham , the producer / director in the film : the first time as the idea of the film he plans , the second time at the presentation of King Kong in New York , and the last time in his closing statement ...
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Problems for a Colorblind | 70 |
Höfundarréttur | |
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| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Framlag frá | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefandi | Indiana University Press, 2000 |
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