Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 7
Síða 93
... hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so quickly - instantaneously , practi- cally simultaneously - that the magnitude of the speed no longer ...
... hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so quickly - instantaneously , practi- cally simultaneously - that the magnitude of the speed no longer ...
Síða 94
... hear . And what you are supposed to hear , you must see . These are two different harmonic processes . The pioneers of silent film , like Grif- fith or Chaplin , were afraid that the coming of the talkies would destroy the cinema that ...
... hear . And what you are supposed to hear , you must see . These are two different harmonic processes . The pioneers of silent film , like Grif- fith or Chaplin , were afraid that the coming of the talkies would destroy the cinema that ...
Síða 97
... hear its rhythms and tonalities . And when I sense that it fits , that it exists , I begin to write the script . But for me the film is already ready , only its technical production remains to be settled in order to convince other ...
... hear its rhythms and tonalities . And when I sense that it fits , that it exists , I begin to write the script . But for me the film is already ready , only its technical production remains to be settled in order to convince other ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York