Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 12
... flesh - colored hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same ...
... flesh - colored hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same ...
Síða 13
... flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image . This is another moment in the film in which we are asked to think " real " and ...
... flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image . This is another moment in the film in which we are asked to think " real " and ...
Síða 17
... flesh - colored body is literally absent from this image , it is powerfully present in our minds as the site where this violence would be felt . The next two images create much the same effect , although once again no flesh - colored ...
... flesh - colored body is literally absent from this image , it is powerfully present in our minds as the site where this violence would be felt . The next two images create much the same effect , although once again no flesh - colored ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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