Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
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Síða 20
... finally diasporism ( Buber , [ Introduction ] n.p. ) . He denied that the ban on images had anything to do with art as such ( Buber , Moses 186 ) . The character of the Jew , formed by these factors , was primarily relational . It ...
... finally diasporism ( Buber , [ Introduction ] n.p. ) . He denied that the ban on images had anything to do with art as such ( Buber , Moses 186 ) . The character of the Jew , formed by these factors , was primarily relational . It ...
Síða 83
Berkeley Journal for Theoretical Studies in Media and Culture. Vincent finally tears back the shower curtain , Clay shoots in kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of ...
Berkeley Journal for Theoretical Studies in Media and Culture. Vincent finally tears back the shower curtain , Clay shoots in kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of ...
Síða 12
... finally more concerned with the ways in which we are constituted as spectacle from the place of the Other , and with the violence that this often implies , than with our own attempts at self - display . A striking series of 16mm images ...
... finally more concerned with the ways in which we are constituted as spectacle from the place of the Other , and with the violence that this often implies , than with our own attempts at self - display . A striking series of 16mm images ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York