Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 4
Síða 10
... filmmakers control audience reaction , determining the characters with which the audience may identify and those it may regard as objects , suture keeps the audience largely unaware of how it is being manipulated ( Olin , Gaze 213-214 ) ...
... filmmakers control audience reaction , determining the characters with which the audience may identify and those it may regard as objects , suture keeps the audience largely unaware of how it is being manipulated ( Olin , Gaze 213-214 ) ...
Síða 95
... filmmakers , with whom do you feel affinity ? Or do you feel yourself to be isolated ? Pelechian : No , I don't feel myself to be alone , I like the cinema of Pasolini , Resnais , Godard , Antonioni , Fellini . . . . I feel , rather ...
... filmmakers , with whom do you feel affinity ? Or do you feel yourself to be isolated ? Pelechian : No , I don't feel myself to be alone , I like the cinema of Pasolini , Resnais , Godard , Antonioni , Fellini . . . . I feel , rather ...
Síða 48
... filmmaking strategies separate the ( female ) body from the social and cultural meanings it is normatively compelled to enact , concomitantly exposing the arbitrary nature of a particular bodily representation or performance ...
... filmmaking strategies separate the ( female ) body from the social and cultural meanings it is normatively compelled to enact , concomitantly exposing the arbitrary nature of a particular bodily representation or performance ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York