Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 95
... feel affinity ? Or do you feel yourself to be isolated ? Pelechian : No , I don't feel myself to be alone , I like the cinema of Pasolini , Resnais , Godard , Antonioni , Fellini . I feel , rather , that my path is unique . Only one ...
... feel affinity ? Or do you feel yourself to be isolated ? Pelechian : No , I don't feel myself to be alone , I like the cinema of Pasolini , Resnais , Godard , Antonioni , Fellini . I feel , rather , that my path is unique . Only one ...
Síða 13
... feel ourselves subject to a much more profound visual definition than when someone paints our picture or makes a sculpture of our face . So profoundly photographic is our sense of the body we turn toward the world that we often offer ...
... feel ourselves subject to a much more profound visual definition than when someone paints our picture or makes a sculpture of our face . So profoundly photographic is our sense of the body we turn toward the world that we often offer ...
Síða 20
... feel friendly and loving ... and the borderlines of the body - image lose their distinct character ” ( 210 ) . An important sequence mid - way through Syntagma provides an eloquent commentary upon the close imbrication of affect and ...
... feel friendly and loving ... and the borderlines of the body - image lose their distinct character ” ( 210 ) . An important sequence mid - way through Syntagma provides an eloquent commentary upon the close imbrication of affect and ...
Efni
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
12 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York