Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 78
... escape it in this one . The advantage , of course , is that Renee's ( and Phoenix's ) colorblindness allows Clay to elide racism , but the reversal of typology does not ensure an escape from the violence of fixed categories and social ...
... escape it in this one . The advantage , of course , is that Renee's ( and Phoenix's ) colorblindness allows Clay to elide racism , but the reversal of typology does not ensure an escape from the violence of fixed categories and social ...
Síða 128
... escape symbolically , but also materially , from the prison of the flat surface . . . . Pol- lock , then , threw paint on the canvas . He was looking for a new dimension of space , but all he could produce was post - impressionism ...
... escape symbolically , but also materially , from the prison of the flat surface . . . . Pol- lock , then , threw paint on the canvas . He was looking for a new dimension of space , but all he could produce was post - impressionism ...
Síða 75
... escape " is problematic and interpreta- tion continues to be debated , its final step is clear : he goes to Africa , to the future Mozambique , to accomplish something on his own - precisely to leave " a - history " and enter " history ...
... escape " is problematic and interpreta- tion continues to be debated , its final step is clear : he goes to Africa , to the future Mozambique , to accomplish something on his own - precisely to leave " a - history " and enter " history ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York