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Síða 84
He may dress in Vincent's fine clothes , drive Vincent's expensive car , play golf at Vincent's country club , or use Vincent's box at the opera . But this will not make him Vincent Towers . He can never be Vincent Towers , simply ...
He may dress in Vincent's fine clothes , drive Vincent's expensive car , play golf at Vincent's country club , or use Vincent's box at the opera . But this will not make him Vincent Towers . He can never be Vincent Towers , simply ...
Síða 87
Alice Jameson , for example , has a stiffly formulaic exchange with Renee early in the film ( " What a LOVELY dress , " she woodenly exclaims ) , exemplifying a distance and plasticity of interaction and echoing the more intensive ...
Alice Jameson , for example , has a stiffly formulaic exchange with Renee early in the film ( " What a LOVELY dress , " she woodenly exclaims ) , exemplifying a distance and plasticity of interaction and echoing the more intensive ...
Síða 41
... we see Anna comparing prints of Renaissance paintings depicting women in various classical poses to some of her own photos , in which women in modern dress replicate these poses , often with the addition of ironic domestic details .
... we see Anna comparing prints of Renaissance paintings depicting women in various classical poses to some of her own photos , in which women in modern dress replicate these poses , often with the addition of ironic domestic details .
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Efni
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| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Framlag frá | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefandi | Indiana University Press, 2000 |
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