Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 54
Síða 78
... difference between her desired vision of Clay and what we , the audience , can see . Certainly , his personality fits with her characterology , but she has used the internal to misread the body ( instead of the usual racist reverse ) ...
... difference between her desired vision of Clay and what we , the audience , can see . Certainly , his personality fits with her characterology , but she has used the internal to misread the body ( instead of the usual racist reverse ) ...
Síða 3
... differences ; it is absolutely indifferent in its acceptance . It achieves universal inclusion by set- ting aside differences that are inflexible or unmanageable and thus might give rise to social conflict . . . . The resulting public ...
... differences ; it is absolutely indifferent in its acceptance . It achieves universal inclusion by set- ting aside differences that are inflexible or unmanageable and thus might give rise to social conflict . . . . The resulting public ...
Síða 24
... difference . But that is not all . I am also doing my best to promote their work as much as I can . For example , Dispositio 51 published a dossier of Latin American thought that includes Rivera Cusicanqui ( from Bolivia ) , Anibal ...
... difference . But that is not all . I am also doing my best to promote their work as much as I can . For example , Dispositio 51 published a dossier of Latin American thought that includes Rivera Cusicanqui ( from Bolivia ) , Anibal ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York