From inside the book
Niðurstöður 1 - 3 af 18
Síða 25
The tracking shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) ...
The tracking shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) ...
Síða 53
tactile over the purely visual components of the image is often asso- ciated with the painterly gaze , aptly described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a ...
tactile over the purely visual components of the image is often asso- ciated with the painterly gaze , aptly described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a ...
Síða 79
Roswitha Mueller described the film / performance in the following way : In the majority of commercial films the forbidden revolves around the body of woman , more specifically her breasts and genitals . In Touch Cinema the voyeurism is ...
Roswitha Mueller described the film / performance in the following way : In the majority of commercial films the forbidden revolves around the body of woman , more specifically her breasts and genitals . In Touch Cinema the voyeurism is ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
10 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York