Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 25
... described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 ...
... described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 ...
Síða 53
... described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a picture surface retains an undeniable ma- teriality . . . [ a ] unique and deviant particularity ...
... described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a picture surface retains an undeniable ma- teriality . . . [ a ] unique and deviant particularity ...
Síða 37
... described under the rubric of neocolonialism than postcolonialism , regardless of the amount of " postcolonial " political rhetoric spilled to disguise historical conti- nuity as a providential mission to universal freedom and democracy ...
... described under the rubric of neocolonialism than postcolonialism , regardless of the amount of " postcolonial " political rhetoric spilled to disguise historical conti- nuity as a providential mission to universal freedom and democracy ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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