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Síða 64
For this reason , Walters's defining him as " the greatest diver who ever lived " was a linguistic slippage that placed him , significantly , as a body that occupied the uneasy territory between liveness and death .
For this reason , Walters's defining him as " the greatest diver who ever lived " was a linguistic slippage that placed him , significantly , as a body that occupied the uneasy territory between liveness and death .
Síða 95
Movement from birth to death but also from death to birth : growth- decline , death - resurrection . Niney : Is this why one of the central figures of your montages is repetition , the magic by which the same becomes other ?
Movement from birth to death but also from death to birth : growth- decline , death - resurrection . Niney : Is this why one of the central figures of your montages is repetition , the magic by which the same becomes other ?
Síða 30
However the broad mode of " cultural achievement " that Freud identifies in the example of the Fort - Da game results in what we could call a sanctioned redirection of the death drive into the field of vision .
However the broad mode of " cultural achievement " that Freud identifies in the example of the Fort - Da game results in what we could call a sanctioned redirection of the death drive into the field of vision .
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Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Framlag frá | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefandi | Indiana University Press, 2000 |
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