Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 10
... corporeal representation which does not have real effects . Like the hands at the beginning of Syntagma , the body which is the center of my world is simultaneously flesh and signifier . And , while representational in consistency , the ...
... corporeal representation which does not have real effects . Like the hands at the beginning of Syntagma , the body which is the center of my world is simultaneously flesh and signifier . And , while representational in consistency , the ...
Síða 15
... corporeal feelings.7 Schilder and Wallon agree that this sensational body can never really be " one " with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only ...
... corporeal feelings.7 Schilder and Wallon agree that this sensational body can never really be " one " with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only ...
Síða 22
... corporeal real which has in- formed both sides of the essentialism debate , by suggesting another and more complex account of female corporeality . This sequence consists of a series of shots in which the blonde woman looks into a ...
... corporeal real which has in- formed both sides of the essentialism debate , by suggesting another and more complex account of female corporeality . This sequence consists of a series of shots in which the blonde woman looks into a ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York