Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 26
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Síða 27
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
Síða 59
... camera tenta- tively continues to frame what we assume to be Alfons's ambulatory perspective . Yet , against our expectations , as the camera comes to rest outside a bedroom door , it is Judith's entrance into that room that we are ...
... camera tenta- tively continues to frame what we assume to be Alfons's ambulatory perspective . Yet , against our expectations , as the camera comes to rest outside a bedroom door , it is Judith's entrance into that room that we are ...
Efni
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Höfundarréttur | |
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