Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 121
... called it writing from the belly of the beast ) , from that point in discourse in which the Other is effaced as interlocutor and functions as pure desire . Discursively , this critical voice operates as a projection towards the homeland ...
... called it writing from the belly of the beast ) , from that point in discourse in which the Other is effaced as interlocutor and functions as pure desire . Discursively , this critical voice operates as a projection towards the homeland ...
Síða 115
... called , out of desperation and hunger ( she wanted to steal an apple ) . Censors , who began operating in the intervening period presumably in 1938 with the re - release of the film , suppressed this key scene.22 During this time the ...
... called , out of desperation and hunger ( she wanted to steal an apple ) . Censors , who began operating in the intervening period presumably in 1938 with the re - release of the film , suppressed this key scene.22 During this time the ...
Síða 98
... called " Cuban color . " ) Songoro cosongo thus undermines important political implica- tions of the synthetic fiction of a “ Cuban blues ” created by Hughes ' translations of Guillén's poetry in Cuba Libre . Guillén's son and his Afro ...
... called " Cuban color . " ) Songoro cosongo thus undermines important political implica- tions of the synthetic fiction of a “ Cuban blues ” created by Hughes ' translations of Guillén's poetry in Cuba Libre . Guillén's son and his Afro ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York