Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 43
... believe any black's account of abuse by whites ; and no account by a white , especially by a white police officer or public official , could shake them " ( 58 ) . Clearly , I would agree with the Times ' reporters that there are ...
... believe any black's account of abuse by whites ; and no account by a white , especially by a white police officer or public official , could shake them " ( 58 ) . Clearly , I would agree with the Times ' reporters that there are ...
Síða 49
... believe key aspects of her story , and I do not believe that there is any credible evidence that Steven Pagones was one of her rapists . I am persuaded by some of the medical and eyewitness testimony that suggests that Brawley ...
... believe key aspects of her story , and I do not believe that there is any credible evidence that Steven Pagones was one of her rapists . I am persuaded by some of the medical and eyewitness testimony that suggests that Brawley ...
Síða 94
... believe they were wrong . Those who were not afraid were wrong too , because they used sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of ...
... believe they were wrong . Those who were not afraid were wrong too , because they used sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York