Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 10
... audience reaction , determining the characters with which the audience may identify and those it may regard as objects , suture keeps the audience largely unaware of how it is being manipulated ( Olin , Gaze 213-214 ) . Levinas's theory ...
... audience reaction , determining the characters with which the audience may identify and those it may regard as objects , suture keeps the audience largely unaware of how it is being manipulated ( Olin , Gaze 213-214 ) . Levinas's theory ...
Síða 71
... audience with a " vision " of colorblind society . McGehee and Siegel conceived of Suture's main conceit in the early 1990s , working out of San Francisco at a time when California conservatives were laying the groundwork for ...
... audience with a " vision " of colorblind society . McGehee and Siegel conceived of Suture's main conceit in the early 1990s , working out of San Francisco at a time when California conservatives were laying the groundwork for ...
Síða 74
... audience is teased , however , with the possibility that Clay might recognize the visual difference . When his sutures are removed and he first looks into a mirror , Clay stutters his disbelief : “ Guess I never expected to . . . . I ...
... audience is teased , however , with the possibility that Clay might recognize the visual difference . When his sutures are removed and he first looks into a mirror , Clay stutters his disbelief : “ Guess I never expected to . . . . I ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York