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Síða 27
rethink our typical response to the question of agency in relation to the visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the ...
rethink our typical response to the question of agency in relation to the visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the ...
Síða 39
The existence of this censuring mode of self- observation required for Freud the introduction of a different psychic agency : one which is referred to in this and other essays as the " critical agency " of the ego ,.
The existence of this censuring mode of self- observation required for Freud the introduction of a different psychic agency : one which is referred to in this and other essays as the " critical agency " of the ego ,.
Síða 40
as the " critical agency " of the ego , but which would later come to be defined as the super - ego . Freud continues , Die Tatsache , daß eine Solche Instaz vorhanden ist , welche das übrige Ich wie ein Objekt behandeln kann , also daß ...
as the " critical agency " of the ego , but which would later come to be defined as the super - ego . Freud continues , Die Tatsache , daß eine Solche Instaz vorhanden ist , welche das übrige Ich wie ein Objekt behandeln kann , also daß ...
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Höfundarréttur | |
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| Titill | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Framlag frá | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Útgefandi | Indiana University Press, 2000 |
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