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Síða 25
6 For a different interpretation of the use of abstraction in relation to the Holocaust , see Amishai - Maisels 243–287 . 7 Whelan spends several pages on this issue , although he concludes that the controversy is “ morbid and ...
6 For a different interpretation of the use of abstraction in relation to the Holocaust , see Amishai - Maisels 243–287 . 7 Whelan spends several pages on this issue , although he concludes that the controversy is “ morbid and ...
Síða 51
The degree of aesthetic abstraction that infuses these images makes one think of them as the cinematic counterpart of art pho- tography , a field in which Export is no novice . Yet , aesthetic ab- straction is placed here in the service ...
The degree of aesthetic abstraction that infuses these images makes one think of them as the cinematic counterpart of art pho- tography , a field in which Export is no novice . Yet , aesthetic ab- straction is placed here in the service ...
Síða 129
action and Art Informel in “ a mode of gestural abstraction " and through penetration of paper , fighting with mud , and painting with their feet . ( Shigara ) . All these events took place in front of audiences , and cameras .
action and Art Informel in “ a mode of gestural abstraction " and through penetration of paper , fighting with mud , and painting with their feet . ( Shigara ) . All these events took place in front of audiences , and cameras .
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