Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 22Indiana University Press, 2000 |
From inside the book
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Síða 79
... cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a ...
... cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a ...
Síða 81
... Touch Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected " cinemagoers " would not be visible . The radical character of this expanded cinema work , I con- tend , is precisely ...
... Touch Cinema , but this seeing is the reversal of a paranoid recognition that without Touch Cinema , unexpected " cinemagoers " would not be visible . The radical character of this expanded cinema work , I con- tend , is precisely ...
Síða 87
... Touch Cinema contributes to this radical paranoid inter- vention . Whereas Adjoined Dislocations posits Export as a camera , Touch Cinema positions her as both camera and screen . The per- formance brings Export eye - to - eye with the ...
... Touch Cinema contributes to this radical paranoid inter- vention . Whereas Adjoined Dislocations posits Export as a camera , Touch Cinema positions her as both camera and screen . The per- formance brings Export eye - to - eye with the ...
Efni
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
11 aðrir hlutar ekki sýndir
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Common terms and phrases
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York